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Showing posts from April, 2018

PART 2 P3 Ex 3: Material differences

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  My aim is to recreate the atmosphere created by the tonal contrasts of the sole light. I bought oil pencils thinking they were more controllable oil pastels. But no, not the effect I was expecting. Options:  * brown ink to create a sepia-like affect * dusting of chalk over watercolour pencil * water-soluble marker ink * white oil pastel with ink wash * monochrome coloured pencil to show tonal contrast Tests so far Work in progress. The paper isn't ideal for this amount of wet work as I didn't keep to taped down. Second version to come.

PART 2 P3 Ex 2: Composition - an interior

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I have had no shortage of places to draw in the house. I had in mind I would draw my art 'room' at the top of the house as it is my bolt hole and a place to relax that nobody else visits. I found some beautiful light play and reflection at different times of the day and I was excited that this could make a  good composition and assignment.   However, s ometimes things can be overworked and I may have been forcing this line of investigation too far as I was losing the sanctuary and peaceful feeling of the room. Plus it was getting too hot to continue working up there. I then found another area of the house at a certain time of day that invokes all sorts of feelings that I wanted to capture in a drawing - or at least see if I could.  I was locking up the house at bedtime and switching off the lights when I came across this view: It is very peaceful, but almost eerie. Not a soul except me awake. The landing light being left on to guide me upstairs. Shadows and refl...

PART 2 P3 Ex 2: Composition - an interior

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I have had no shortage of places to draw in the house. I had in mind I would draw my art 'room' at the top of the house as it is my bolt hole and a place to relax that nobody else visits. I found some beautiful light play and reflection at different times of the day and I was excited that this could make a  good composition and assignment.   However, s ometimes things can be overworked and I may have been forcing this line of investigation too far as I was losing the sanctuary and peaceful feeling of the room. Plus it was getting too hot to continue working up there. I then found another area of the house at a certain time of day that invokes all sorts of feelings that I wanted to capture in a drawing - or at least see if I could.  I was locking up the house at bedtime and switching off the lights when I came across this view: It is very peaceful, but almost eerie. Not a soul except me awake. The landing l...

PART 2 P3 Ex 1: Quick sketches around the house

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PART 2 P3 Ex 1: Quick sketches around the house

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